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South Indian superstar Yash’s much-awaited Toxic makes a strong impression with its grand scale, action sequences and stylish presentation, but an uneven screenplay and sluggish pacing prevent the film from becoming a compelling commercial entertainer.
Set in 1947, the film follows Raya (Yash) and his sister Ganga (Nayanthara), who join the gang of powerful underworld figure Salvador (Darrell D’Silva) in Goa, which remains under Portuguese rule despite India gaining independence. Raya rises through the ranks and becomes involved with Salvador’s rebellious daughter Rebecca (Tara Sutaria) before falling for Nadia (Kiara Advani), a circus owner and star performer.
The story begins with considerable promise, but the screenplay by Yash and Geetu Mohandas struggles to maintain momentum. While several dialogues are sharp, some one-liners feel forced and excessive.
Mohandas handles the film’s scale effectively, delivering a visually impressive production designed for the big screen. Raya’s introduction, his relationship with Ganga, his dinner date with Nadia and the interval sequence involving a marriage and a fort stand out.
However, the film becomes confusing when dealing with Raya and Ganga’s childhood and his entry into Salvador’s gang. The subplot involving Mellisa (Rukmini Vasanth) also feels weak, while some stretches lack narrative momentum.
The climax twist is another major weakness. Although it might work in a more experimental film, it could leave mainstream audiences confused. The film also carries a noticeable KGF and Animal influence, particularly in its slow-motion sequences and the portrayal of Raya.
Yash delivers a committed performance and looks convincing in both action sequences and romantic scenes, although he occasionally goes over the top. Kiara Advani emerges as the film’s strongest performer, while Nayanthara delivers a powerful performance. Tara Sutaria is a pleasant surprise and makes a strong impact. Huma Qureshi and Akshay Oberoi are dependable, while the supporting cast is adequate.
Technically, Toxic scores strongly. Ravi Basrur’s background score enhances the action and drama, while Rajeev Ravi’s cinematography gives the film a lavish cinematic appearance. The action choreography is intense, T.P. Abid’s production design is impressive and DNEG’s visual effects are polished.
Among the songs, Tabaahi stands out for its melody and presentation, while Madhosh and Waqt make a lesser impact. The editing is generally effective but could have been tighter, particularly in the Macau portions.
Overall, Toxic is a visually ambitious action drama that benefits from Yash’s star power, impressive performances and technical craftsmanship. However, its inconsistent screenplay, slow sections and an unconventional climax weaken its emotional and commercial impact.
The film is likely to enjoy a strong opening at the box office thanks to Yash’s popularity, extensive pre-release buzz and its event-film appeal. Its long-term performance, however, will depend heavily on audience word of mouth.
